Saturday, November 5, 2016



New York City Mapped and Mythologized


Maps are magical. Every graphic, like every story, has a point of view, and New York is rife with mapmaking
possibilities, thick with mythology, and glutted with history. You Are Here: NYC – Mapping The Soul of the Cityassembles some two hundred maps charting every inch and facet of the five boroughs, depicting New Yorks of past and present, and a city that never was.
Among the maps, several by well-known graphic designers like Paula Scher, are The Highline (pictured above), A Nightclub Map of Harlem, Wonders of New York, the Ghostbusters subway map, a rejected proposal of ornate topiaries illustrates a Central Park that might have been, and many more. This sequel to the best-selling You Are Here is available at Amazon as of November 1, and includes original essays by Maria Popova, Bob Mankoff, Sarah Boxer, and Rebecca Cooper, among others. Katharine Harmon, an expert on the topic of maps in art and art in maps, is the editor and the publisher is Princeton Architectural Press.
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A logo is not your brand, nor is it your identity. Logo design, identity design and branding all have different roles, that together, form a perceived image for a business or product.
There has been some recent discussion on the web about this topic, about your logo not being your brand. Although this may be true, I haven’t seen any clarification of the differences between ‘brand’, ‘identity’ and ‘logo’. I wish to rectify this.
What is brand? – The perceived emotional corporate image as a whole.
What is identity? – The visual aspects that form part of the overall brand.
What is a logo? – A logo identifies a business in its simplest form via the use of a mark or icon.

To explain this in more detail, let’s start at the top – the brand.

What is branding?

Branding is certainly not a light topic – whole publications & hundreds of books have been written on the topic, however to put it in a nutshell you could describe a ‘brand’ as an organisation, service or product with a ‘personality’ that is shaped by the perceptions of the audience. On that note, it should also be stated that a designer cannot “make” a brand – only the audience can do this. A designer forms the foundation of the brand.
Many people believe a brand only consists of a few elements – some colours, some fonts, a logo, a slogan and maybe  some music added in too. In reality, it is much more complicated than that. You might say that a brand is a ‘corporate image’.
The fundamental idea and core concept behind having a ‘corporate image’ is that everything a company does, everything it owns and everything it produces should reflect the values and aims of the business as a whole.
It is the consistency of this core idea that makes up the company, driving it, showing what it stands for, what it believes in and why they exist. It is not purely some colours, some typefaces, a logo and a slogan.
As an example, let’s look at the well known IT company, Apple. Apple as a company, projects a humanistic corporate culture and a strong corporate ethic, one which is characterised by volunteerism, support of good causes & involvement in the community. These values of the business are evident throughout everything they do, from their innovative products and advertising, right through to their customer service. Apple is an emotionally humanist brand that really connects with people – when people buy or use their products or services; they feel part of the brand, like a tribe even. It is this emotional connection that creates their brand – not purely their products and a bite sized logo.
For a more thorough understanding of branding, in simple terms, I recommend Wally Olin’s: The Brand Handbook which I quote is “an essential, easy-reference guide to brilliant branding”.

What is identity design?

One major role in the ‘brand’ or ‘corporate image’ of a company is its identity.
In most cases, identity design is based around the visual devicesused within a company, usually assembled within a set of guidelines. These guidelines that make up an identity usually administer how the identity is applied throughout a variety of mediums, using approved colour palettes, fonts, layouts, measurements and so forth. These guidelines ensure that the identity of the company is kept coherent, which in turn, allows the brand as a whole, to be recognisable.
The identity or ‘image’ of a company is made up of many visual devices:
  • A Logo (The symbol of the entire identity & brand)
  • Stationery (Letterhead + business card + envelopes, etc.)
  • Marketing Collateral (Flyers, brochures, books, websites, etc.)
  • Products & Packaging (Products sold and the packaging in which they come in)
  • Apparel Design (Tangible clothing items that are worn by employees)
  • Signage (Interior & exterior design)
  • Messages & Actions (Messages conveyed via indirect or direct modes of communication)
  • Other Communication (Audio, smell, touch, etc.)
  • Anything visual that represents the business.
All of these things make up an identity and should support the brand as a whole. The logo however, is the corporate identity and brand all wrapped up into one identifiable mark. This mark is the avatar and symbol of the business as a whole.

What is a logo?

To understand what a logo is, we must first understand what it is for.
A logo is for… identification.
A logo identifies a company or product via the use of a mark, flag, symbol or signature. A logo does not sell the company directly nor rarely does it describe a business. Logo’s derive their meaning from the quality of the thing it symbolises, not the other way around – logos are there to identity, not to explain. In a nutshell, what a logo means is more important than what it looks like.
To illustrate this concept, think of logos like people. We prefer to be called by our names – James, Dorothy, John – rather than by the confusing and forgettable description of ourselves such as “the guy who always wears pink and has blonde hair”. In this same way, a logo should not literally describe what the business does but rather, identify the business in a way that is recognisable and memorable.
It is also important to note that only after a logo becomes familiar, does it function the way it is intended to do much alike how we much must learn people’s names to identify them.
The logo identifies a business or product in its simplest form.

Summary:

Brand –The perceived emotional corporate image as a whole.
Identity  The visual aspects that form part of the overall brand.
Logo – Identifies a business in its simplest form via the use of a mark or icon.

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Friday, November 4, 2016

Red Peak Identity For Tech Firm Focuses on Connections

Red Peak Identity For Tech Firm Focuses on Connections


Brand strategy and design agency Red Peak created a visual identity, logo and brand personality for the former TBC Holdings, an ad tech company backed by GSO Capital Partners, which recently took the new name Vivial.
After acquiring several disparate ad tech companies, the client came to Red Peak with a request:  to create a unifying look and feel for the company as it transitioned from a holding company to a single entity with a new name. The brand identity and logo had to signal leadership, energy and excitement to stand out in a category cluttered with tech-speak and jargon.
Red Peak’s solution started with a logo and visual identity system intended to conveys the brand’s key attributes and themes through design and messaging. The creative plays off the vitality of the new  name and employs a theme evoking connection in its visual language (line-dot-line) to suggest supportive partnership. From mobile site development to SEO and CRM programs, they are experts in creating and sustaining customer connections. This focus on connections became the foundation of the identity; at its center the I’s within the mark are said to represent the customer, and the literal connections Vivial seeks to create. From that, a visual language shows a one to one connection, or a vast landscape of customer interactions.
Credits at Red Peak include Chief Creative Officer Stewart Devlin; Creative Director Andy Haug; Design Director Iwona Waluk; Designer Achu Fones; and Junior Designers Jieun Lee and Aya Kawabata.


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Health and Fitness Chain Flexes The Power of Branding


New York Sports Club has partnered with New York-based digital agency Kettle to redesign an entire new gym experience. The two worked together to find ways to make working out smarter, faster and more enjoyable –  including brand rejuvenation, updated design and digital platforms. The redesign is said to be the biggest shift since it opened it’s doors in 1973 – including a modernized logo, a new website, app and a renovated in-gym experience decked out with location-specific motivational motifs, and more. Shown here are photos of the 36th and Madison Avenue, Manhattan, location.




NYSC is part of the Town Sports International family, which operates over 150 health and fitness clubs in New York, Boston, Washington DC and Philadelphia. TSI is piloting a reimagined gym experience at select New York and Boston Sports Clubs locations, with the goal of rolling out to the broader network in the next year. The initial group of gyms are undergoing renovations that encompass an updated visual aesthetic highlighting and celebrating the company’s new brand identity, as well as the addition of new state-of-the-art equipment. “This fall marks a new chapter in the company’s rich history and we’re excited to launch these cutting-edge offerings and programming to our members,” states Michelle Ryan, Chief Marketing Officer. “Our goal is to bring the best out of every body and meet every customer’s fitness needs.  The introduction of innovative and personalized experiences will allow us to break our current mold and appeal to a new audience while better servicing our current members.”

At the entrance of each club will be a Welcome Zone outfitted with kiosk apps for a more streamlined member registration process, along with new furniture, modern lighting, and an open office concept. There will also be improved fitness rooms for cycling, mind and body and weightlifting, a redesigned fitness evaluation zone, and new branding and signage. The brand ethos has undergone an evolution as well to convey a customized experience. With an overarching goal to “bring the best out of every body,” the brand’s new promise is to get to know each member like no other gym in the marketplace today through digital tools and personal touches.


The identity is led with an improved art direction that features updated visuals throughout the clubs and digital platforms, and a logo that is refreshed with brighter, warmer colors and friendlier fonts, but will honor the brand’s heritage and equity.  A more customizable and efficient experience is being created through updated digital tools, in-depth research and personal touches; this includes an easier to use website and the company’s first-ever app, both launching in October.


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To continue its mission and chart the path forward The School of American Ballet partnered with brand engagement firm Sullivan on its SAB in Motion capital campaign.

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Sullivavon Puts ballot School In Motion!
To continue with it's mission to make the path forward The School Of American Ballet partnered with brand engagement firm called Sullivanon its SAB in motion capital campaign. Aimed at raising 20 million dollars for facilities, financial aid and a diversity innitiative for the school, Sullivans strategy and branding mimics the flexibility and movement of SAB's dancers. Type developed for the campaign was guided through meetings with Peter Martins, SAB's Artistic Director and Chairman of the faculty, so that each letterform suggests the precision, intentionality, and rigor of the school's signature training in the Balanchine aesthetic.

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